| THE FIELD OF VISION |
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SHORT PROJECT DESCRIPTION |
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Project
& Partners:
The Field of Vision project is an initiative of the independent
German artist, Stephan Hausmeister in collaboration with a number
of CREAC staff at the University of Hertfordshire. The project is
led by Stephan Hausmeister and the principal CREAC researchers are
Alison Dalwood, Malcolm Ferris, Sam Jury and Michael Wright. |
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The
project consists of an ongoing series of practical artistic interventions,
supported by more discursive critical-contextual investigations.
Together they explore the relationship of media art to Globalisation
and the idea of an emerging trans-cultural space. The fundamental
concept behind Field is that of the 'gaze' - how an individual or
group perceives and constructs anOther individual or group. Field
creates a series of collective gazes, each one of which deploys
a multitude of lenses, or surface focal points, that construct its
subject; i.e., New York - Frankfurt - Beijing / America - Europe
- the Orient / East - West, etc. |
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Media
Art, Globalisation & the Trans-Cultural:
The issue of Globalisation is at the forefront of critical thinking
about the contemporary arts and culture. In particular, Globalisation
has generated an acute interest in the ways in which the artistic
field contributes to the increasing trans-national exchange of cultural
values and information. |
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The
Field of Vision project addresses these concerns through
its exploration of art and aesthetic experience in relation to contemporary
technologies of information exchange, and the ways in which these
media validate or annul a number of explanatory accounts concerning
the meanings of Modernity in and through Globalisation. |
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At
stake in these interpretive narratives are the ways in which Western
and non-Western art and culture are positioned and understood, including
presentations of how the arts (and visual culture more generally)
participate in the production and exchange of cultural information,
values, ideas and meanings across geo-political and social-cultural
boundaries. Field of Vision engages these subjects through
two interrelated research themes: |
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1.
2. |
Modernity
and Globalisation.
Art, Technology and Experience. |
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Modernity
and Globalisation:
The various interpretive positions concerning Modernity and Globalisation
can be condensed into three primary positions, in which Globalisation
is understood as either: |
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(a) |
A
series of distinct but overlapping national Modernisms (Western
and non-Western) that, while sharing some characteristics, remain
essentially grounded in their own ‘localised’ historical-cultural
formations. |
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(b) |
An
emerging trans-cultural space that is developing from the confluence
of Western and non-Western Modernisms, but which is not identical
with any of them and represents a new hybrid formation. |
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(c) |
An
emerging trans-cultural space that is effectively an extension of
Western cultural Modernity, (and which carries the negative implication
that contemporary non-Western art is essentially derivative of the
Modern Western cannon). |
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Art,
Technology and Experience:
Field of Vision views the arts, in their relation to technologies
of communication and information, as indispensable to the accounts
of Modernity and Globalisation outlined above.These techno-aesthetic
issues can be bracketed in two basic research themes: |
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(a) |
How
interactive media and networked databases create new forms of agency
and community that impact upon the status and role of the artist
as an independent maker and the associated problematics of production
and consumption. |
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(b) |
The
validity of the emerging notion of an ‘immaterial’ arts
practice, as opposed to ‘object-based’, and the relation
these terms might bear to notions of virtual and real, global and
local. |
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Combined
Practice-led & Critical / Contextual Enquiry:
Field of Vision investigates its two related research themes
(‘Modernity and Globalisation’ and ‘Art, Technology
and Experience’) using combinations of practice-led and critical-contextual
investigation. |
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The
practice-led elements of the project aim to create a series of experiential
encounters between the apparently homogeneous spaces of the global
communications network and the allegedly discrete cultural and historical
realities of the locale. These encounters are enacted through a
series of extended artworks that appear both through the Internet
and as related - but experientially different - physical gallery
installations at key points around the globe. |
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In these performances a number of loosely knit a-temporal networks
or e-communities are generated and manouvered into thematic relationships
with specific sites and their in-situ audiences. The resulting event
is a collective world gaze (constructed from multiple global perspectives,
impressions, views, constructs and opinions) meeting its real or
imagined local subject. |
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The
more discursive Field activities (consisting of papers, presentations
and symposia discussion) articulate, amplify and reflect upon
these practical experiential measures through more traditional
research outcomes. Whenever possible both classes of action (practice
and theory) are orchestrated to run alongside one another; each
extending the experience, understanding and value of the other.
However, even when operating asynchronously as they sometimes
must, the two forms of enquiry build upon and illuminate one another. |
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Finally,
given the uncertain status of research in art and design, this
combined practice-led and theoretical approach might itself be
viewed as an object of research. To this end, the Field of
Vision project will periodically report and reflect upon
the progress and value of this method. In this way the project
hopes also to contribute to a better understanding of the possibilities
and place of experiential practice-led research in relation to
critical-contextual modes of understanding. |
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FoV
Research Outcomes:
The primary research outcomes consist of an on-line exhibition and
project archive supported by a series of related on-line and paper
publications. To date, this site has been visited by over 228,000
viewers. In additions, the project generates a series of temporary
physical exhibitions and symposia in locations of strategic cultural
significance. |
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Outputs
to date include the following:
Field of Vision: Beijing, exhibition and accompanying symposium,
Beijing New Art Projects / China, September 2006 |
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Field
of Vision: Extremes, exhibition and presentation
of papers by Malcolm Ferris, Michael Wright, Alison Dalwood and
Stephan Hausmeister at the Institute for New Media, Frankfurt
a.M. / Germany, October 2005 |
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Field
of Vision: New York, exhibition at The Lab Gallery, New York
/ USA, September 2004 |
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Field
of Vision, artwork
as part of Gefährliche Benutzeroberflächen exhibition,
including presentation of paper by Stephan Hausmeister, Kunstverein
Grafschaft Bentheim, Neuenhaus / Germany, May - July 2003 |
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More
information about these projects incl. links to related online publications
are under: |
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Field
of Vision Projects 2006 - 2003 |
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Malcolm
Ferris |
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Forthcoming
Exhibition, Conference & Symposia Events |
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2006 |
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4th
International Language, Communication and Culture Conference,
paper by Malcolm Ferris contextualizing FoV issues in the frame
of this conference at Lusofona
University, Lisbon / Portugal, November 2006 |
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2007 |
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The
Interplay of Art and Globalization - Consequences for Museums,
paper by Malcolm Ferris contextualizing FoV issues in the frame
of this Internationales Forschungszentrum
Kulturwissentschaften (IFK - International Research Center for
Cultural Studies) conference, Vienna / Austria, January 2007 |
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Stephan
Hausmeister - Early Works, solo exhibition, Kunstverein
Grafschaft Bentheim, Neuenhaus / Germany, February 2007 |
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Field of Vision: Sofia, Academia Gallery, National
Academy of Art, Sofia / Bulgaria, June 2007 |
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Field
Online, solo review exhibition by Stephan Hausmeister. Curated
by Malcolm Ferris. This review exhibition will bring all the exhibition
projects in the series together for the first time and will be used
to launch the new FoV website which will consolidate all the online
versions of the project. The Institute
for New Media, Frankfurt a.M. / Germany, October 2007 |
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Exhibition,
Symposia & Conference Events under Development |
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2007 |
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Field of Vision: Toronto, Pixel Gallery, Toronto / Canada |
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2008 |
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Field of Vision: Berlin,
East Side Gallery, Berlin / Germany |
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2009
onwards |
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Field of Vision: Bangkok / Thailand
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Field of Vision: Mexico City / Mexico |
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Field of Vision: New Delhi / India |
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Field of Vision: Shanghai / China |
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Field of Vision: London / UK |
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Field of Vision: Taipei / Taiwan |
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Ongoing
Funding / Project Partner Organisations |
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Institute
for New Media: technical development of project website including
software and concept |
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Greenwood Global Media: currently involved in business
development and seeking sponsorship from internet companies, for
example Flickr, YouTube etc. |
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Future
Funding / Project Partner Organisations |
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Arts
Council |
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British
Council |
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Business
East for sponsorship and / or business partner |
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AHRC funding
will be applied for by January 2008 |
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Project
Network |
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Alison
Dalwood, Malcolm Ferris, Sam Jury, Michael Wright - University of
Hertfordshire / UK |
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Digital
Art Projects, UK |
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Institute for
New Media, Frankfurt a.M. / Germany |
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Michael Kahn-Ackermann,
director, Geothe-Institute, Beijing / China |
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Dr. Barbara Barsch,
Institut für Auslandsbeziehungen (ifa), Berlin / Germany |
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Victoria
Lu, Director, Museum of Contemporary Art, Shanghai / China |
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David
Girolami, Pixel Gallery, Toronto / Canada |
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Gao
Brothers, Beijing New Art Projects / China |
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Marcel
Hager, independent curator, Berlin / Germany |
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Jenny
Friedrich-Freksa, editor in chief, Kulturaustausch Magazine, Berlin
/ Germany |
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Robert
Moore, Greenwood Global Media Corp, New York / USA |
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Prof.
Timothy Van Laar, head of postgraduate painting, University of Illinois
at Champaign Urbana / USA |
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Project
Participation |
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Since
first published on the internet in June 2004, 900 people from around
the world have taken part and around 8000 subscribed to the projects
mailing list. |
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Web
Statistics, Field of Vision incl. related Sites |
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January
– December 2005 |
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42,409
unique visitors |
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164,558
page views |
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January
– November 2006 |
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185,673
unique visitors |
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475,769
page views |
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Total,
Jan. 2005 – Nov. 2006 |
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228,082
unique visitors |
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640,327
page views |
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| THE FIELD OF VISION |
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PROJECTS 2006 - 2003 |
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2006 |
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Field of Vision:
Beijing, exhibition at Beijing New Art Projects
/ China,
September 2006 |
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Accompanying symposium
hosted by Malcolm Ferris, papers presented by Alison
Dalwood, Malcolm Ferris, Chris Horrocks and Michael Wright, funded
by University of Hertfordshire / UK |
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Funding
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Goethe-Institute
Beijing / China; Greenwood Global Media Corp, New York / USA; Institute
for New Media, Frankfurt a.M. / Germany |
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Print
Publications |
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Drakeford, David,
Field of Vision – a great wall of art, Beijing Today,
nr. 276, p. 1 & 12/13, Beijing / China, 15-9-2006 |
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Gao Brothers /
Hausmeister, Stephan, Field of Vision: Beijing, Kulturaustausch,
Zeitschrift für internationale Perspektiven; publisher: Institut
für Auslandsbeziehungen (ifa) of the German government / ministry
for foreign affairs, distributed by the Goethe-Institute in 139
countries, nr. 11 / 2006; pp. 3, 4,14/15, 22/23, 30/31, 34/35, 41,
46/47, 54/55, 60/61, Berlin / Germany, June 2006 |
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Selected
Online Publications |
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China
Art News, ddc,
FMCS,
CULTURETV,
NOEMA,
Rhizome
Digest, soart,
Tom,
xinart,
artstom,
CE,
duoyunxuan,
guishitou,
RANDOM,
wepod,
photography-now,
yahqq
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to Top |
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| Call
for Submissions, Field of Vision: Extremes, published
June 2005 |
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| Field
of Vision: Extremes, work in progress at the Institute
for New Media (INM), Frankfurt a.M. / Germany, Oktober 2005 |
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| Field
of Vision: Extremes, one out of around 600 focus points
on the 2.5 x 11 metre artwork at the Institute for New Media (INM),
Frankfurt a.M. / Germany, Oktober 2005 |
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2005 |
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Field of Vision:
Extremes, exhibition at the Institute for New
Media, Frankfurt a.M. / Germany, October 2005 |
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Including presentation
of papers by Malcolm Ferris, Michael Wright, Alison Dalwood
and Stephan Hausmeister |
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Funding
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Arts Council of
England / UK (NAN bursary); Amt für Wissentschaft und Kunst der
Stadt Frankfurt am Main
/ Germany |
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Print
Publications |
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PASB, Field
of Vision – Extremes, Art Kaleidoscope 3/05, Frankfurt
a.M. / Germany, Sept.-Dec. 2005 |
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Kulturredaktion,
Bis Sonntag ensteht eine Wandcollage, Frankfurter Rundschau,
Frankfurt a.M. / Germany,11 October 2005 |
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Pisano, Hortense,
Extreme, Journal Frankfurt Nr. 21/05, Frankfurt a.M. /
Germany, October 2005 |
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Telese,
Emilia, Digital Art Projects, a-n Magazine, Newcastle upon
Tyne / UK, April 2005 |
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Telese,
Emilia, Digital Art Projects, a-n Magazine, Newcastle upon
Tyne / UK, February 2005 |
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Selected
online publications |
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Project
Board,
Institute for New Media, Frankfurt a.M. / Germany |
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2004 |
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Field of Vision: New York, exhibition at The Lab Gallery, New
York / USA, September 2004 |
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Funding
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Greenwood
Global Media, New York / USA; Institute for New Media, Frankfurt
a.M. / Germany |
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Print
Publications |
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Gubb,
Mark S., Have NAN, will travel, a-n Magazine, Newcastle upon
Tyne / UK, October 2005 |
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Telese,
Emilia. Digital Art Projects, a-n Magazine, April 2005 |
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Telese,
Emilia. Digital Art Projects, a-n Magazine, Febr. 2005 |
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Chiu,
Sherry. Field of Vision: New York, World Journal (largest
Chinese language newspaper in the US), New York / USA, 29 September
2004 |
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Selected
Online Publications |
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File
Electronic Language International Festival, www.file.org.br,
Sao Paulo / Brazil, October 2005 |
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Intersections, Turner, Myron, www.rhizome.org
at the New Museum for Contemporary Art, New York / USA, June 2005 |
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A Rehearsal
for Extinct Personality: The Perils of Modern Living, Calnan,
Andy / www.rhizome.org at the New
Museum for Contemporary Art, New York / USA,
April 2005 |
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Field
of Vision: New York, Rhizome Artbase, www.rhizome.org,
New Museum of Contemporary Art, New York / USA, January 2005 |
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Orilla
# 04, I Muestra International
de Arte Digital, Contiguo,
Andamio / Museo de Arte Contemporaneo, Santa Fe / Argentina, November
2004 |
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to Top |
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| Field
of Vision, part of Gefährliche
Benutzeroberflächen exhibition,
Kunstverein Grafschaft Bentheim,
Neuenhaus / Germany |
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2003 |
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Field
of Vison
artwork as part of Gefährliche Benutzeroberflächen
exhibition, Kunstverein Grafschaft Bentheim, Neuenhaus
/ Germany, May - July 2003 |
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Including presentation
of paper by Stephan Hausmeister |
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Funding
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Land Niedersachsen;
Niedersächsische Lottostiftung; Landkreis Grafschaft Bentheim; Stadt
Neuenhaus (//// Germany) |
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Print
Publications |
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Kriegisch, Thomas,
Vorträge zur Kunst aus England, GN-Grafschafter Nachrichten
/ Kultur, Nordhorn / Germany, 5 June 2003 |
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Kulturredaktion,
Zwei Vorträge, Grafschafter Wochenblatt, Nordhorn
/ Germany, 4 June 2003 |
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Kulturredaktion,
Gefährliche Benutzeroberflächen, Grafschafter
Wochenblatt, Nordhorn / Germany, 14 May 2003 |
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Kriegisch, Thomas,
Bilder von der Wirklichkeit, GN-Grafschafter Nachrichten
/ Kultur, Nordhorn / Germany, 12 May 2003 |
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Kriegisch, Thomas,
Wirklichkeitsriss, GN-Grafschafter Nachrichten / Kultur,
Nordhorn / Germany, 7 May 2003 |
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Thiessen-Schneider,
Gudrun, Gefährliche Benutzeroberflächen, Punkt-Kunst
im Nordwesten, Nr. 65, May 2003 |
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Thiessen-Schneider,
Gudrun, Gefährliche Benutzeroberflächen, Kunstzeitung,
Regensburg / Germany, May 2003 |
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Kulturredaktion,
Gefährliche Benutzeroberflächen, GN-Grafschafter
Nachrichten / Kultur, Nordhorn / Germany, 19 April 2003 |
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Dalwood, Alison
/ Hausmeister, Stephan / Wright, Michael, Gefährliche Benutzeroberflächen,
Kunst in den Grafschafter Nachrichten, double page spread, Nordhorn
/ Germany, 19 April 2003 |
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| CURRICULUM VITAE |
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STEPHAN HAUSMEISTER |
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Dot
and the Cows, by Andrew Harrison & Andy Ross, part
of Location 2, a collaborative billboard exhibition at
Old Street Roundabout, organised by Stephan Hausmeister - artistsprinting,
London / UK, 1999 |
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2360CUFT,
installation at the Kaohsiung Internaional
Container Arts Festival, organized by the Kaohsiung Museum of
Fine Arts / Taiwan |
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| www.migration-monument.net,
website / project proposal for a global container art project,
2004 |
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Walking
Billboards, performance at Documenta 11, Kassel / Germany,
June 2002 |
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The
Utopia of Hugging, performance together with the Gao
Brothers, Beijing / China at the NAN (Networking Artists Networks)
event in Nottingham / UK, April 2006 |
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Location
Matters, I-Space Gallery, Chicago / USA, October 2000 |
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| Magic
Slate No.1, "No people live longer than the documents
of their culture", digital print, resin & acrylic paint
on canvas, 220 x 180 cm, 2000 |
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E-mail
Self Portrait, contribution to Re: <o><o>,
curated by Alberto Guedea, Access Artist Run Centre, Vancouver
/ Canada, 2004 |
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Hainan
Incident, 2001 |
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Plow,
digital print on canvas, 220 x 320 cm, 1996 |
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The
Eye of Columbus, egg boxes, slide projection, oil &
acrylic on canvas, 220 x 180 cm, 1997 |
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| ID-Burn,
London / UK, 1998 |
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Nothing
travels faster than Light, installation at Unwahr Gallery,
Berlin / Germany, 1993 |
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Expulsion
from Paradise, installation / performance at Urban Art
Gallery, Berlin / Germany, 1989 |
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Resume |
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Stephan
Hausmeister studied fine art at the Hochschule der Künste (HdK
= University of Arts) in Berlin and was awarded an MA in 1987. In
1991 he received the prestigious DAAD - Berliner Künstlerprogramm
fellowship to work for one year in London in collaboration with
the Whitechapel Art Gallery and the Goethe Institute. Since that
time he has lived in the UK and exhibited internationally, organised
and presented collaborative art events / exhibitions and in 1997
set up artistsprinting,
the first open access large format digital print workshop for artists
in the UK. In 2003 he was invited to participate in the Kaoshiung
International Container Arts Festival and in the same year he exhibited
the first of the series of global art productions: Field of
Vision, in Germany. In 2005 Stephan began to collaborate with
Chinese artists the Gao Brothers and in 2006 presented their Hug
performance to a UK audience and collaborated with them for Field
of Vision: Beijing, presented at the Gao Brothers’ Beijing
New Art Projects gallery in China. |
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Stephan
explores how visual narratives participate in the production and
exchange of cultural ideas and meanings and how information technology
redefines artist’s roles and offers new methods of production
and presentation. His research references issues of globalisation
and in the Field of Vision series he seeks to generate a debate
concerning the ways in which the visual field contributes to an
increasingly trans-national exchange of cultural values and information. |
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In his series
of artworks: Walking Billboards, presented at Documenta11
in 2003, he re-edited and re-published imagery found in the mass
media and displaced these images into different contexts and different
sequences thus manipulating readings. The intention was not to create
an alternative reading, claim objectivity or truth but to make obvious
the subjectivity of visual mass media and the transience of the
systems and technologies by which they are transported. A series
of work exhibited at I-Space Gallery, Chicago in 2000: Magic
Slates also references modes of communication and the transience
of visual messages. In these works, slogans are presented as fleeting
images on a child’s magic slate as if hanging in the air and
broadcast from no distinguishable location. Stephan has continued
to present his work as practice based-outcomes but increasingly
with interrelated web-based presentations that reference his fascination
with transient and virtual cultural domains. |
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Solo Exhibitions
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1996 |
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Am gefährlichen
Rand der Dinge (On the Dangerous Edge of Things), Raiffeisen-
und Volksbank, Meppen / Germany |
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Stephan Hausmeister
- Bilder, Rathaus, Nordhorn, Germany |
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1995 |
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Zeitschleife
(Time Loop), Kulturzentrum Alte Weberei, Nordhorn / Germany |
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1994 |
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Stephan Hausmeister
- Bilder und Arbeiten auf Papier (Paintings and Works on Paper),
Gallery Doreen Gussek, Nordhorn / Germany |
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Stephan Hausmeister
- Malerei (Paintings), Leolux Gallery, Hannover / Germany |
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1993 |
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Stephan Hausmeister
- Bilder und Arbeiten auf Papier (Paintings and Works on Paper),
Krone AG, Berlin / Germany |
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Fatherland,
O-2 Gallery, Berlin / Germany |
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1992 |
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Nothing travels
faster than Light, Unwahr Gallery, Berlin / Germany |
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Nothing travels
faster than Light - Video of the installation shown at 'Offener
Kanal' (Berlin TV-Channel), Pat Hearn Gallery (New York), ARTE (German
TV-Channel) and at ATA (Artists Television Access), San Francisco
/ USA |
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1987 |
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Stephan Hausmeister
- Malerei (Paintings), Trabant Gallery, Vienna / Austria |
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1983 |
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Stephan Hausmeister
- Bilder (Paintings), Artwork Gallery, Berlin / Germany |
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Selected
Group Exhibitions |
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2006 |
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Field
of Vision: Beijing, Beijing
New Art Projects, Beijing / China |
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Missmao,
Blacklist Projects, London / UK |
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The Utopia
of Hugging, performance together with the Gao Brothers / China
at the NAN (Networking Artists Networks) event in Nottingham, 30
April 2006 |
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Peoplespoppy,
internet / public art project, corporate commission for the
Royal British Legion |
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2005 |
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Field of Vision:
Extremes, Institute for New Media, Frankfurt a.M. / Germany |
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Making Slough
happy, community / public art project, corporate commission
for BBC 2 Television |
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File
Electronic Language International Festival,
Sao Paulo / Brazil |
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2004 |
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Orilla
# 04, I Muestra International
de Arte Digital, Museo de Arte Contemporaneo, Santa Fe / Argentina |
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Field of Vison:
New York, The Lab Gallery, New York / USA |
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F5, Center
of Visual Arts of Santiago (CAVS) / Chile |
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Re: <o><o>,
Access Artist Run Centre, Vancouver / Canada |
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2003 |
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2360CUFT,
installation at the Kaohsiung International Container Arts
Festival, Kaohsiung Museum of Fine Arts / Taiwan |
| - |
2 Alternative
Art Festival, Morelia, Michoacan / Mexico |
| - |
First Chiangmai
New Media Art Festival, Chiangmai / Thailand |
| - |
Gefährliche
Benutzeroberflachen (Hazardous User-Interfaces), Kunstverein
Grafschaft Bentheim, Neuenhaus / Germany |
| - |
2003 Net Art
Open, Irish Museum of Modern Art, Dublin / Rep. of Ireland |
| |
2002 |
| - |
Walking Billboards,
Documenta 11, Kassel / Germany |
| |
2001 |
| - |
INFOS,
Ljubjana / Slovenia |
| |
2000 |
| - |
Location Matters,
I Space Gallery, Chicago / USA |
| - |
Another Place,
Digital Painting, University Gallery, University of Hertfordshire,
Hatfield / UK |
| |
1999 |
| - |
Zeitschleife
II, Kulturzentrum Alte Weberei, Nordhorn / Germany |
| - |
Location 2,
billboard exhibtion, Old Street roundabout, London / UK |
| |
1997 |
| - |
Location 1,
Unwahr im Apparat, Berlin / Germany |
| - |
Whenever,
Commercial Too Gallery, London / UK |
| |
1995 |
| - |
47. Frankfurter
Buchmesse (47th International Frankfurt Book Fair), presentation
of the artist's book 'Reports of Worldwide Visual Diseases' at the
stands of H.S. Bartkowiak's 'forum book art' (Hamburg / Germany)
and 'Avivson Books', (London / UK), Franfurt a.M. / Germany |
| - |
A Letter to
John Heartfield, Venice Biennale 1995, project in collaboration
with Irish artist Shane Cullen at 'Nuova Icona' gallery, Venice
/ Italy |
| - |
Pathologische
Aspekte der Gegenwartskunst (Pathological Aspects of Contemporary
Art), Unwahr Gallery, Berlin / Germany |
| |
1994 |
| - |
Berlin Experience,
VOXXX Galerie, Chemnitz / Germany |
| - |
Alarm! Chameleon,
Berlin / 'The Gallery', Stoke Newington Library, London / UK |
| |
1993 |
| - |
Malerei im
Neuen Deutschland (Painting in the New Germany), Unwahr Gallery,
Berlin / Germany |
| |
1991 |
| - |
One Night
Stand of 4 Units, Pit Art Gallery, Rotterdam / Netherlands |
| - |
Bollards over
Dresden, Alternative Art Galleries, London / UK |
| - |
Objects, Oldham
Art Gallery, Manchester / UK |
| |
1990 |
| - |
Big Foot,
Joszef Varosi Gallery, Budapest / Hungary |
| - |
Freiheit macht
Arbeit (Freedom causes work), Kunsthaus Tacheles, Berlin /
Germany |
| - |
Asphalt, Künstlerhaus
Bethanien, Berlin / Germany |
| |
1989 |
| - |
Arbeiten Junger
Künstler (Work by young artists), Berlinische Galerie,
Martin Gropius Building, Berlin / Germany |
| - |
Das Schweigen
im Wald, Berlin House of Representatives, Bonn / Germany and
Produzentengalerie e.V., Kassel / Germany |
| |
1988 |
| - |
Bilder (Paintings),
Pumpe Gallery, Kiel / Germany |
| - |
Brainwash,
Maastricht, Venlo, Geleen and Amsterdam / Netherlands |
| |
1987 |
| - |
Paintings,
'Delegation des Affaires Culturelles’, Tetouan / Morocco |
| - |
Paintings,
Goethe-Institute, Casablanca / Morocco |
| - |
La Wiener
Strada, Kunsttheater Vienna / Austria |
| |
1986 |
| - |
Friedhof der
Dinge (Cemetery of Things), Halle K18, Kassel / Germany |
| |
1985 |
| - |
Urbane Rauminstallation
(Urban Space Installation), Tupolew Gallery, Berlin / Germany |
| |
1984 |
| - |
Drei Maler
aus Berlin (Three Painters from Berlin), Goethe-Institute,
Casablanca / Morocco |
| |
|
| |
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Top |
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| |
Awards |
| |
2006 |
| - |
Project
grant - Goethe-Institute, Beijing |
| - |
Project
grant - Greenwood Global Media Corp, New York |
| - |
Project grant
- Institute for New Media, Frankfurt a.M. |
| - |
Project grant
- Arts Council of England / a-n Magazine |
| |
2005 |
| - |
NAN (Networking
Artists Networks) bursary - Arts Council of England / a-n Magazine |
| - |
Project
grant - Amt für Wissentschaft und Kunst der Stadt Frankfurt
am Main |
| |
2004 |
| - |
Project
grant - Greenwood Global Media Corp, New York |
| - |
Residency
– Institute for New Media, Frankfurt a.M. |
| |
2003 |
| - |
Projektförderung
– Kunstverein Grafschaft Bentheim, Neuenhaus |
| |
1998 |
| - |
A4Express
– project grant , Arts Council of England / National Lottery |
| |
1993 |
| - |
Projektförderung
– exhibition and catalogue grant, Krone AG, Berlin |
| |
1991 -
92 |
| - |
DAAD
/ Berliner Künstlerprogramm – Berlin Senate for
Cultural Affairs / Goethe-Institute, one year fellowship in London,
based at Southgate Studios in collaboration with the Whitechapel
Art Gallery |
| |
1990 |
| - |
Projektförderung
- catalogue / exhibition grant, Berlin Senate for Cultural
Affairs |
| |
1989 |
| - |
Arbeitsstipendium
- work grant, Berlin Senate for Cultural Affairs |
| |
1988 |
| - |
Reisestipendium
- travelling grant, Berlin Senate for Cultural Affairs |
| |
1984 |
| - |
Reisestipendium
- travelling grant, Berlin Senate for Cultural Affairs |
| |
|
| |
Back
to Top |
|
|
| |
|
| |
Online
& Broadcasting Publications |
| |
2006 |
| - |
www.field-of-vision.net/Beijing,
Hausmeister, Stephan, Website, ca. 1,200 pages, Sept. 2006 |
| - |
www.missmao.co.uk,
Marshall, Helen / Ros, Pau, Webpage, June 2006 |
| - |
www.peoplespoppy.co.uk,
Hausmeister, Stephan / Marshall, Helen / Royal British Legion, Website,
ca.1,200 pages, May – November 2006 |
| - |
Nottingham’s
Big Hug, Bell, Nigel, BBC Radio, Nottingham, 2 May 2006 |
| - |
Interview
with the Gao Brothers, World Service, BBC Radio, 1 May 2006 |
| - |
Hugging Performance,
Gao Brothers, ITV News, 30 April 2006 |
| - |
City’s
group hug in name of art, David Sillitoe, arts correspondent,
News Breakfast, BBC Television, 28 April 2006 |
| - |
City’s
group hug in name of art, David Sillitoe, arts correspondent,
News 24, BBC Television, 28 April 2006 |
| - |
Letters and
emails, Humphrys, John, BBC Radio 4 Today, 29 April 2006 |
| - |
Interview
with the Gao Brothers, Radio 5 Live, 28 April 2006 |
| - |
www.gaobrothers.net,
Gao Brothers / Hausmeister, Stephan / Webpage, April 2006 |
| - |
2005 |
| - |
Making Slough
Happy, 4 episodes, Optomen TV / BBC2 Television series, broadcasted
15 Nov.2005, 22 Nov. 2005, 29 Nov. 2005 & 6 Dec. 2005 |
| - |
www.field-of-vision.net/Extremes,
Hausmeister, Stephan / Website, ca. 1,000 pages, Nov. 2005 |
| - |
File Electronic
Language International Festival, www.file.org.br, Sao Paulo
/ Brazil, October 2005 |
| - |
Intersections,
Turner, Myron / www.rhizome.org, New Museum of Contemporary Art,
New York / USA, June 2005 |
| - |
A Rehearsal
for Extinct Personality: The Perils of Modern Living, Calnan,
Andy / www.rhizome.org, New Museum of Contemporary Art, New York
/ USA, April 2005 |
| - |
www.world-hug-day.net,
Gao Brothers / Hausmeister, Stephan / Website, 18 pages, March 2005 |
| - |
www.field-of-vision.net/NewYork,
Rhizome Artbase / www.rhizome.org, New Museum of contemporary Art,
New York / USA, January 2005 |
| - |
2004 |
| - |
Orilla # 04,
I Muestra International de Arte Digital, Contiguo, Andamio
/ Museo de Arte Contemporaneo, Santa Fe / Argentina, November 2004 |
| - |
www.field-of-vision.net/NewYork,
Hausmeister, Stephan / Website, ca.1,600 pages, November 2004 |
| - |
www.digitalartprojects.net,
Hausmeister, Stephan / Webpage, April 2004 |
| - |
Re:<o><o>,
Frampton, Russ, ThreeSixtySeven Gallery Reviews, www.sfu.ca, Simon
Fraser University, Vancouver / Canada, February 2004 |
| - |
2003 |
| - |
www.migration-monument.net,
online project-proposal, Hausmeister, Stephan / Website, 10 pages,
Dec. 2003 |
| - |
2002 |
| - |
www.artistsprinting.co.uk,
Hausmeister, Stephan / Website, 54 pages |
| - |
1998 |
| - |
www.hausmeister.co.uk,
Hausmeister, Stephan / Website, 81 pages |
| - |
1992 |
| - |
Nothing travels
faster than Light, video of the installation shown at 'Offener
Kanal' TV-channel, Berlin / Germany |
| - |
Nothing travels
faster than Light, video of the installation shown at ARTE
French-German TV-channel |
| - |
Nothing travels
faster than Light, video of the installation shown at ATA (Artists
Television Access), San Francisco / USA |
| |
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Top |
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| |
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| |
|
| |
Print
Publications |
| |
2006 |
| - |
Drakeford,
David, Field of Vision – a great wall of art, Beijing
Today, nr. 276, p. 1 & 12/13, Beijing / China, 15-9-2006 |
| - |
Gao
Brothers / Hausmeister, Stephan, Field of Vision: Beijing,
Kulturaustausch, Zeitschrift für internationale Perspektiven,
publisher: Institut für Auslandsbeziehungen (ifa) of the German
government / ministry for foreign affairs, distributed by the Goethe-Institute
in 139 countries, nr. 11 / 2006; pp. 3, 4,14/15, 22/23, 30/31, 34/35,
41, 46/47, 54/55, 60/61, Berlin / Germany, 6-2006 |
| |
2005 |
| - |
PASB,
Field of Vision – Extremes, Art Kaleidoscope 3/05,
Frankfurt a.M. / Germany, Sept.-Dec. 2005 |
| - |
Kulturredaktion,
Bis Sonntag ensteht eine Wandcollage, Frankfurter Rundschau,
Frankfurt a.M. / Germany,11 October 2005 |
| - |
Pisano,
Hortense, Extreme, Journal Frankfurt Nr. 21/05, Frankfurt
a.M. / Germany, October 2005 |
| - |
Telese,
Emilia, Digital Art Projects, a-n Magazine, Newcastle upon
Tyne / UK, February 2005 |
| - |
Telese,
Emilia, Digital Art Projects, a-n Magazine, Newcastle upon
Tyne / UK, April 2005 |
| - |
Gubb,
Mark S., Have NAN, will travel, a-n Magazine, Newcastle upon
Tyne / UK, October 2005 |
| |
2004 |
| - |
Chiu,
Sherry, Field of Vision: New York, World Journal (largest
Chinese language newspaper in the US), New York / USA, 29 Sept.
2004 |
| |
2003 |
| - |
Hausmeister,
Stephan / Kuo, Chapman / Lo, Nita, 2360CUFT, exhibition
catalogue, pp.90/91, 2003 Kaohsiung International Container Arts
Festival, Kaohsiung Museum of Fine Arts / Taiwan, ISBN 957-01-8022-6 |
| - |
Kriegisch,
Thomas, Vorträge zur Kunst aus England, GN-Grafschafter Nachrichten
/ Kultur, Nordhorn / Germany, 5 June 2003 |
| - |
Kulturredaktion,
Zwei Vorträge, Grafschafter Wochenblatt, Nordhorn / Germany,
4 June 2003 |
| - |
Kulturredaktion,
Gefährliche Benutzeroberflächen, Grafschafter Wochenblatt,
Nordhorn / Germany, 14 May 2003 |
| - |
Kriegisch,
Thomas, Bilder von der Wirklichkeit, GN-Grafschafter Nachrichten
/ Kultur, Nordhorn / Germany, 12 May 2003 |
| - |
Kriegisch,
Thomas, Wirklichkeitsriss, GN-Grafschafter Nachrichten
/ Kultur, Nordhorn / Germany, 7 May 2003 |
| - |
Thiessen-Schneider,
Gudrun, Gefährliche Benutzeroberflächen, Punkt-Kunst
im Nordwesten, Nr. 65, May 2003 |
| - |
Thiessen-Schneider,
Gudrun, Gefährliche Benutzeroberflächen, Kunstzeitung,
Regensburg / Germany, May 2003 |
| - |
Kulturredaktion,
Gefährliche Benutzeroberflächen, GN-Grafschafter
Nachrichten / Kultur, Nordhorn / Germany, 19 April 2003 |
| - |
Dalwood,
Alison / Hausmeister, Stephan / Wright, Michael, Gefährliche
Benutzeroberflächen, Kunst in den Grafschafter Nachrichten,
double page spread, Nordhorn / Germany, 19 April 2003 |
| |
2002 |
| - |
Rachel
Sukman (Editor in Chief), A Time of Crisis, Terminal Art
Magazine, Art & Politics, nr.18, Tel Aviv / Israel, Winter 2002,
p. 3 / 43 |
| - |
Hausmeister,
Stephan, Artists Responding, Terminal Art Magazine, Art
& Politics, nr.18, Tel Aviv / Israel, Winter 2002, pp. 5, 6
& 7 |
| |
1999 |
| - |
Kriegisch,
Thomas, "Zeitschleife ll” in Alter Weberei,
Grafschafter Nachrichten, Nordhorn, 10-5-1999 |
| - |
Moore, Rowan,
Stars in the East: the New Brick Lane, Evening Standard
Magazine, 30.3.1999 |
| |
1995 |
| - |
Hausmeister, Stephan,
Reports of Worldwide Visual Diseases, artist’s book,
Berlin / Germany, 1995, ISBN 3-926820-33-0 |
| - |
Hager, Michael,
Reports of Worldwide Visual Diseases, artist’s book,
pp. 4/5, Berlin / Germany, 1995, ISBN 3-926820-33-0 |
| - |
Kriegisch, Thomas,
"Zug der Zeit", in Alter Weberei, Grafschafter
Nachrichten, Nordhorn, 6-9-1995 |
| - |
Hager, Marcel,
Zeitschleife, Punkt - Kunst im Nordwesten, nr.32, Bremen,
9-1995, p.35 |
| - |
Kriegisch, Thomas,
Zug der Zeit in "Zeitschleife", Grafschafter
Nachrichten, KultuRegional, Nordhorn, 9-1995 |
| |
1994 |
| - |
C.Z., Eindrücke aus Marokko,
Celler Nachrichten, Celle, 3-9-1994, p.12 |
| |
1993 |
| - |
Cullen, Shane
/ Hausmeister, Stephan, A Letter to John Heartfield, Circa
Art Magazine, nr.63, Ireland, 5-1993, p.46 |
| |
1992 |
| - |
Hilton, Tim,
'What's new about...', The Guardian, London, 18-6-1992 |
| |
1991 |
| - |
Keunen, Y., Expositiefeest
met kunst uit vier wereldsteden, Rotterdams Nieuwsblad, Rotterdam,
27-11-1991 |
| - |
Lillington, David,
Bollards over Dresden, Time Out, nr.21, London, 7-11-1991 |
| - |
Pantförder,
H., Honecker auf Toastbrot, Spandauer Volksblatt, Berlin,
11-1-91 |
| |
1990 |
| - |
Melkus, E., Die
Abräumer, Prinz, nr.15, Berlin, 25-10-1990, p.87 |
| |
1989 |
| - |
Tefelski, Norbert,
Ob Lachen hilft ?, Tip, nr.26, Berlin, 21-12-1989, p.3,
p.96 |
| - |
Müller, Kathrin
Bettina, Endlos Schleife Wald, Die Tageszeitung, Berlin
– Kultur, 20-12-1989, p.17 |
| - |
Kreis, Elfie,
Ein anderes Heimatmuseum, Der Tagesspiegel, Berlin, 20-12-1989 |
| - |
Tefelski, Norbert,
Kunstnotizen, Tip, nr.25, Berlin, 7-12-1989 |
| - |
Müller, S.,
Im Endzeit-Wald, Hessische/Niedersächsische Allgemeine,
Kassel, 29-7-1989 |
| - |
Wahjudi, Claudia,
Schulungsraum für den Kopf, Die Tageszeitung, Berlin,
20-1-1989 |
| |
1988 |
| - |
van Veelen, I.,
Limburg op stage in Berlin en v.v., Het Parool, Netherlands,
18-11-1988 |
| - |
Kunstredactie,
'Oh internationales Glück', Plus, Vetgezet, Netherlands,
11-1988 |
| - |
Kunstredactie,
'Oh internationales Glück', Uitkrant, Beeldende Kunst,
Amsterdam, 11-1988 |
| - |
van de Louw, H.,
Banana Art – Berlijn, Melkweg Publicaties, Amsterdam,
2-11-1988 |
| - |
Kreis, Elfie,
Resistent gegen Regen, Der Tagesspiegel, Berlin, 19-10-1988 |
| - |
Kunstredactie,
Expositie in de Maasport, Dagblad van Nord Limburg, Maastricht,
5-10-1988 |
| - |
Vogel, Sabine,
Das Schweigen im Wald, Die Tageszeitung, Berlin, 24-9-1988 |
| - |
Kunstredactie,
Banana Art, NRC Handelsblad, Netherlands, 6/7-1988 |
| - |
Vogel, Sabine,
Oh internationales Glück, Die Tageszeitung, Berlin
Kultur, 29-6-1988 |
| - |
Kusters, S., Tentoonstelling
over kunst-uitwisseling Banana Art – Berlijn, De Limburger,
Maastricht, 17-6-1988 |
| - |
Kunstredactie,
Banana Art en de Duits - Nederlandse kunstmeeting, Maaspost,
Maastricht, 16-6-1988 |
| - |
Kunstredactie,
Banana-art exposeert 'Internationales Glück', Limburgs
Dagblatt, Maastricht, 11-6-1988 |
| - |
Moors, A., Samenwerking
tussen Berlijnse en Limburgse kunstenaars, SKIM, Cultuurblaad,
Maastricht, 5/6-1988 |
| - |
Kulturredaktion,
Kunst von unten - Galerie URBAN ART, Carl - Zeitschrift
für Mode, nr. 2, Berlin, 1988 |
| - |
Kunstredactie,
Kijk kijk, De Limburger, Maastricht, 12-4-1988 |
| - |
Kunstredactie,
Banana-Art naar Berlijn, De Limburger, Maastricht, 5-3-1988 |
| - |
Korn, Frietjof,
'Urban Art' im Süden Marokkos, Goethe Institut - Prisma,
nr.1, Worldwide Magazine, 1-1988 |
| |
1987 |
| - |
Kulturredaktion,
Spritbeteiligung, Die Tageszeitung, Berlin – Kultur,
22-11-1987 |
| - |
Vogel, Sabine,
Weltrecycling, Die Tageszeitung, Berlin, 9-11-1987 |
| |
1986 |
| - |
Hein, C., Babylon
im Oktober, Hessische/Niedersächsische Allgemeine, Kassel,
28-11-1986 |
| - |
J.S. "Babylon"
wird wiederbelebt, Hessische/Niedersächsische Allgemeine,
Kassel,11-10-1986 |
| - |
Schindler, H.,
Schwarz trieft die Lust, Pflasterstrand, nr. 248, Kassel,
1-11-1986, pp.47-48 |
| - |
Schindler, H.,
Babylon - Mutter der Hurerei und Greul der Erde, Pflasterstrand,
nr. 247, Kassel, 18-10-1986, pp.40-42 |
| - |
Kulturredaktion,
Babylon im Oktober, Info Tip, Kassel, 10-1986 |
| - |
R.M., Installationen
in der Halle K 18, Kassel Programm, Kassel, 27-9-1986 |
| - |
D.S., Ein
Werk aller, Hessische/Niedersächsische Allgemeine,
Kassel 5-7-1986 |
| - |
MAP, Exposition
de trois peintres allemands, Le Matin du Sahara, Arts plastiques,
Casablanca, 21-4-1986 |
| - |
Zurfluh, J.M.,
Nouvelle Peinture Allemande, Maroc Soir, Culture, Casablanca,
21-4-1986 |
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Top |
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| |
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| |
Selected
Public & Private Collections |
| - |
The
Tate Gallery, London / UK |
| - |
The
Victoria and Albert Museum (National Art Library), London / UK |
| - |
Stiftung Preußischer
Kulturbesitz (Kunstbibliothek), Berlin / Germany |
| - |
The Arts Council
of Ireland, Dublin / Rep. of Ireland |
| - |
Berlinische
Galerie, Martin-Gropius-Bau, Berlin / Germany |
| - |
Museum of Modern
Art (Franklin Furnace Collection), New York / USA |
| - |
Art
Institute of Chicago / USA |
| - |
NCAD
(National College of Art and Design), Dublin / Rep. of Ireland |
| - |
New
Museum of Contemporary Art, New York / USA |
| - |
Northern
Ireland Arts Board, Belfast / UK |
| - |
Crawford
Municipal Art Gallery, Cork / Rep. of Ireland |
| - |
Krone
AG, Berlin / Germany |
| - |
Galeria
Kronika, Bytom / Poland |
| - |
Raiffeisen
und Volksbank, Frankfurt a.M. / Germany |
| - |
Galleria
Sderzag, Cracow / Poland |
| - |
List
GmbH, Nordhorn / Germany |
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Top |
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